Pierre Frey creează și manufacturează, începând cu 1935, țesături și tapete, în cel mai pur stil franțuzesc. Colecțiile Pierre Frey atrag prin originalitatea modelelor și prin abordările eclectice, ceea ce conferă unicitate fiecărei serii în parte. Toate colecțiile au o poveste, care te poartă fie pe tărâmuri entice exuberante, fie în atmosfera rafinată a interioarelor franțuzești din secolul al XVIII-lea, fie în decorurile contemporane cu tușe arhitecturale. Mix-urile cromatice, desăvârșit orchestrate, îți permit abordări estetice ravisante, care îți vor bucura privirea și îți vor înfrumuseța casa și viața. Pasiunea pentru frumos a designerilor de la Pierre Frey se bazează pe know-how-ul dobândit în acești mulți ani de existență, rezultatul muncii lor fiind de cele mai multe ori spectaculos, căci sunt combinate tehnici versatile de imprimare, brodare și chiar pictare manuală a modelelor.
Excelența brandului Pierre Frey este recunoscută de Comite Colbert, o instituție de marcă din Franța, înființată în 1954, sub egida căreia sunt reunite branduri de lux franțuzești care promovează la nivel mondial autenticul ”art de vivre” francez. Brandul Pierre Frey înglobează nume de referință în designul interior mondial, precum sunt: Braquenie, Fadini Borghi, Boussac și desigur Pierre Frey.

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Pierre Frey creează și manufacturează, începând cu 1935, țesături și tapete, în cel mai pur stil franțuzesc. Colecțiile Pierre Frey atrag prin originalitatea modelelor și prin abordările eclectice, ceea ce conferă unicitate fiecărei serii în parte. Toate colecțiile au o poveste, care te poartă fie pe tărâmuri entice exuberante, fie în atmosfera rafinată a interioarelor franțuzești din secolul al XVIII-lea, fie în decorurile contemporane cu tușe arhitecturale. Mix-urile cromatice, desăvârșit orchestrate, îți permit abordări estetice ravisante, care îți vor bucura privirea și îți vor înfrumuseța casa și viața. Pasiunea pentru frumos a designerilor de la Pierre Frey se bazează pe know-how-ul dobândit în acești mulți ani de existență, rezultatul muncii lor fiind de cele mai multe ori spectaculos, căci sunt combinate tehnici versatile de imprimare, brodare și chiar pictare manuală a modelelor.
Excelența brandului Pierre Frey este recunoscută de Comite Colbert, o instituție de marcă din Franța, înființată în 1954, sub egida căreia sunt reunite branduri de lux franțuzești care promovează la nivel mondial autenticul ”art de vivre” francez. Brandul Pierre Frey înglobează nume de referință în designul interior mondial, precum sunt: Braquenie, Fadini Borghi, Boussac și desigur Pierre Frey.

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Pierre Frey creează și manufacturează, începând cu 1935, țesături și tapete, în cel mai pur stil franțuzesc. Colecțiile Pierre Frey atrag prin originalitatea modelelor și prin abordările eclectice, ceea ce conferă unicitate fiecărei serii în parte. Toate colecțiile au o poveste, care te poartă fie pe tărâmuri entice exuberante, fie în atmosfera rafinată a interioarelor franțuzești din secolul al XVIII-lea, fie în decorurile contemporane cu tușe arhitecturale. Mix-urile cromatice, desăvârșit orchestrate, îți permit abordări estetice ravisante, care îți vor bucura privirea și îți vor înfrumuseța casa și viața. Pasiunea pentru frumos a designerilor de la Pierre Frey se bazează pe know-how-ul dobândit în acești mulți ani de existență, rezultatul muncii lor fiind de cele mai multe ori spectaculos, căci sunt combinate tehnici versatile de imprimare, brodare și chiar pictare manuală a modelelor.
Excelența brandului Pierre Frey este recunoscută de Comite Colbert, o instituție de marcă din Franța, înființată în 1954, sub egida căreia sunt reunite branduri de lux franțuzești care promovează la nivel mondial autenticul ”art de vivre” francez. Brandul Pierre Frey înglobează nume de referință în designul interior mondial, precum sunt: Braquenie, Fadini Borghi, Boussac și desigur Pierre Frey.

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Pierre Frey creează și manufacturează, începând cu 1935, țesături și tapete, în cel mai pur stil franțuzesc. Colecțiile Pierre Frey atrag prin originalitatea modelelor și prin abordările eclectice, ceea ce conferă unicitate fiecărei serii în parte. Toate colecțiile au o poveste, care te poartă fie pe tărâmuri entice exuberante, fie în atmosfera rafinată a interioarelor franțuzești din secolul al XVIII-lea, fie în decorurile contemporane cu tușe arhitecturale. Mix-urile cromatice, desăvârșit orchestrate, îți permit abordări estetice ravisante, care îți vor bucura privirea și îți vor înfrumuseța casa și viața. Pasiunea pentru frumos a designerilor de la Pierre Frey se bazează pe know-how-ul dobândit în acești mulți ani de existență, rezultatul muncii lor fiind de cele mai multe ori spectaculos, căci sunt combinate tehnici versatile de imprimare, brodare și chiar pictare manuală a modelelor.
Excelența brandului Pierre Frey este recunoscută de Comite Colbert, o instituție de marcă din Franța, înființată în 1954, sub egida căreia sunt reunite branduri de lux franțuzești care promovează la nivel mondial autenticul ”art de vivre” francez. Brandul Pierre Frey înglobează nume de referință în designul interior mondial, precum sunt: Braquenie, Fadini Borghi, Boussac și desigur Pierre Frey.

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Rafinamentul desăvârșit al țesăturilor și tapetelor realizate de brandul de lux de Gournay recomandă produsele companiei pentru ambientele prețioase, cu exigențe estetice remarcabile.
Cromatica vibrantă a produselor de Gournay iese și mai bine în evidență datorită imprimeurilor, trasate handmade; a broderiilor minuțios lucrate de artizani cu experiență. Motivele țesăturilor și ale tapetelor sunt din universuri ludice, exotice și din perioade istorice fulminante, ceea ce conferă unicitate fiecărui model.

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Colectia The Potting Room de la Sanderson sarbatoreste dragostea britanica pentru „bucatariile de gradina” si a stilului rustic ce ofera o senzatie fermecatoare, artizanala.
Fiecare model a fost desenat manual sau creat cu tehnici imprimate manual într-o paletă de culori încântătoare: tonurile bogate sunt stratificate cu nuante calme. Modelele de tapet se completeaza cu tesaturile imprimate si broderiile ce apartin aceleiasi colectii, pentru un design interior perfect armonizat, ce ofera calmul si atmosfera relaxata a stilului rural.

Colectia The Potting Room de la Sanderson sarbatoreste dragostea britanica pentru „bucatariile de gradina” si a stilului rustic ce ofera o senzatie fermecatoare, artizanala.
Fiecare model a fost desenat manual sau creat cu tehnici imprimate manual într-o paletă de culori încântătoare: tonurile bogate sunt stratificate cu nuante calme. Modelele de tapet se completeaza cu tesaturile imprimate si broderiile ce apartin aceleiasi colectii, pentru un design interior perfect armonizat, ce ofera calmul si atmosfera relaxata a stilului rural.

Colectia The Potting Room de la Sanderson sarbatoreste dragostea britanica pentru „bucatariile de gradina” si a stilului rustic ce ofera o senzatie fermecatoare, artizanala.
Fiecare model a fost desenat manual sau creat cu tehnici imprimate manual într-o paletă de culori încântătoare: tonurile bogate sunt stratificate cu nuante calme. Modelele de tapet se completeaza cu tesaturile imprimate si broderiile ce apartin aceleiasi colectii, pentru un design interior perfect armonizat, ce ofera calmul si atmosfera relaxata a stilului rural.

Acestei tesaturi clasice franceze i se aplica tratamentul casei Lacroix si astfel a rezultat acest superb model de tapet de damasc: Tapetul Noailles

Smart, contemporary small scale textural patterns, and in response to customer feedback these are perfect for many applications. Colours are largely soft and muted with many neutrals and naturals, whites and off whites. Print methods vary, included metallics, glitters and some refined beaded effects. These are perfect all over designs that provide subtle backgrounds to contemporary settings.

Matthew Williamson conjures up the glamour and excitement of pre-revolutionary Cuba in the era of Hemingway and his contemporaries in this exotic collection of decorative fabrics. Colours imported directly from Matthew’s high fashion designs for the catwalk include jade, peach, coral, turquoise, fuchsia, grass and ultramarine. Companion and co-ordinating wall coverings are presented in CUBANA WALLPAPERS. Colourful and sleek co-ordinating fabrics are presented in MIRAMAR while CUBANA WEAVES offers upholsteries to complete the ensemble.
MATTHEW WILLIAMSON and associated marks and logos are trademarks of MATTHEW WILLIAMSON LIMITED, licensed to Osborne & Little Ltd. © 2015.

Nina Campbell presents a collection of decorative wallcoverings with names which allude to the travels of her great uncle, the watercolourist Stratford Hely Hutchinson Keightley, and to members of his family. All the patterns are printed on the non-woven easy-to-hang base. These designs have companion and co-ordinating fabrics in FONTIBRE and also combine well with BARGELLO VELVETS and the jacquards in JACQUET.

Nina Campbell presents a collection of decorative wallcoverings with names which allude to the travels of her great uncle, the watercolourist Stratford Hely Hutchinson Keightley, and to members of his family. All the patterns are printed on the non-woven easy-to-hang base. These designs have companion and co-ordinating fabrics in FONTIBRE and also combine well with BARGELLO VELVETS and the jacquards in JACQUET.

Nina Campbell presents a collection of decorative wallcoverings with names which allude to the travels of her great uncle, the watercolourist Stratford Hely Hutchinson Keightley, and to members of his family. All the patterns are printed on the non-woven easy-to-hang base. These designs have companion and co-ordinating fabrics in FONTIBRE and also combine well with BARGELLO VELVETS and the jacquards in JACQUET.

Nina Campbell presents a collection of decorative wallcoverings with names which allude to the travels of her great uncle, the watercolourist Stratford Hely Hutchinson Keightley, and to members of his family. All the patterns are printed on the non-woven easy-to-hang base. These designs have companion and co-ordinating fabrics in FONTIBRE and also combine well with BARGELLO VELVETS and the jacquards in JACQUET.

Matthew Williamson conjures up the glamour and excitement of pre-revolutionary Cuba in the era of Hemingway and his contemporaries in this exotic collection of decorative wall coverings all printed on the easy-to-hang non woven base. Co-ordinating designs are presented in the companion fabric collections CUBANA, MIRAMAR and CUBANA WEAVES.
MATTHEW WILLIAMSON and associated marks and logos are trademarks of MATTHEW WILLIAMSON LIMITED, licensed to OSBORNE & LITTLE LTD. © 2015.

Matthew Williamson conjures up the glamour and excitement of pre-revolutionary Cuba in the era of Hemingway and his contemporaries in this exotic collection of decorative wall coverings all printed on the easy-to-hang non woven base. Co-ordinating designs are presented in the companion fabric collections CUBANA, MIRAMAR and CUBANA WEAVES.
MATTHEW WILLIAMSON and associated marks and logos are trademarks of MATTHEW WILLIAMSON LIMITED, licensed to OSBORNE & LITTLE LTD. © 2015.

Matthew Williamson conjures up the glamour and excitement of pre-revolutionary Cuba in the era of Hemingway and his contemporaries in this exotic collection of decorative wall coverings all printed on the easy-to-hang non woven base. Co-ordinating designs are presented in the companion fabric collections CUBANA, MIRAMAR and CUBANA WEAVES.
MATTHEW WILLIAMSON and associated marks and logos are trademarks of MATTHEW WILLIAMSON LIMITED, licensed to OSBORNE & LITTLE LTD. © 2015.

In the latter half of the 19th century, Morris & Co. produced a number of embroidered cushion covers, fire screens and table covers and embroidery ‘kits’ to be completed at home. This collection reintroduces exquisite designs by Jane Morris, May Morris and John Henry Dearle, alongside new embroidery interpretations of well loved wallpaper designs.

Morris & Co. produced a number of jacquard and tapestry fabrics all woven on hand looms. In this collection, the studio has faithfully reproduced some of these classic textiles, whilst introducing new weave interpretations of the most loved Morris & Co. wallpaper designs. All are suitable for upholstery and curtains.

Morris’s wallpaper designs are among the best-known examples of his work and he personally designed 46 wallpapers and five ceiling papers over his career. Jeffrey & Co. of Islington in London printed his papers under the personal supervision of Metford Warner, the Managing Director who set up a special department to handle the work. Morris remained closely involved in the production of his designs, choosing the colours and overseeing the printing. Archive Wallpapers is a selection of 11 iconic designs from the Morris & Co. archive. Reproduced as faithfully to the originals as possible in scale and colour, some have also been given a 21st century twist with metallic inks and modern printing techniques.

Morris’s wallpaper designs are among the best-known examples of his work and he personally designed 46 wallpapers and five ceiling papers over his career. Jeffrey & Co. of Islington in London printed his papers under the personal supervision of Metford Warner, the Managing Director who set up a special department to handle the work. Morris remained closely involved in the production of his designs, choosing the colours and overseeing the printing. Archive Wallpapers is a selection of 11 iconic designs from the Morris & Co. archive. Reproduced as faithfully to the originals as possible in scale and colour, some have also been given a 21st century twist with metallic inks and modern printing techniques.

Morris’s wallpaper designs are among the best-known examples of his work and he personally designed 46 wallpapers and five ceiling papers over his career. Jeffrey & Co. of Islington in London printed his papers under the personal supervision of Metford Warner, the Managing Director who set up a special department to handle the work. Morris remained closely involved in the production of his designs, choosing the colours and overseeing the printing. Archive Wallpapers is a selection of 11 iconic designs from the Morris & Co. archive. Reproduced as faithfully to the originals as possible in scale and colour, some have also been given a 21st century twist with metallic inks and modern printing techniques.

Morris’s wallpaper designs are among the best-known examples of his work and he personally designed 46 wallpapers and five ceiling papers over his career. Jeffrey & Co. of Islington in London printed his papers under the personal supervision of Metford Warner, the Managing Director who set up a special department to handle the work. Morris remained closely involved in the production of his designs, choosing the colours and overseeing the printing. Archive Wallpapers is a selection of 11 iconic designs from the Morris & Co. archive. Reproduced as faithfully to the originals as possible in scale and colour, some have also been given a 21st century twist with metallic inks and modern printing techniques.

The Morris V Collection of prints is a beautiful selection of designs based on original documents in the Morris archive. With new interpretations for the contemporary decorator, these fabrics retain the integrity of the Arts & Crafts at a time when the movement is enjoying a revival in the design world. The hand-crafted feel and unique style for which Morris is known and loved, has been maintained and developed; unusual engraving techniques and earthy colours have been applied to give a bolder, less traditional feel, making this a collection to be used in both period and modern interiors. From striking adaptations on rustic linen, to single colour bleached out trails and tiny all-over leaf designs, the fabric collection takes Morris in a fresh new direction. The co-ordinating wallpapers can now be found in the Wallpaper Compendium II.

After establishing ‘The Firm’s’ production of wallpapers, William Morris turned his attention to the production of hand block-printed fabrics. The earliest Morris prints were produced by the printing mill Bannister Hall, but later Morris moved to Merton Abbey and set up his own print works. In producing the Archive Prints Collection, the studio has retained the characteristics of block printing and some of the original colourations. The Collection includes original designs by Morris & Co., with new designs inspired by his woven tapestries and embroideries, painted by the current design team.

After establishing ‘The Firm’s’ production of wallpapers, William Morris turned his attention to the production of hand block-printed fabrics. The earliest Morris prints were produced by the printing mill Bannister Hall, but later Morris moved to Merton Abbey and set up his own print works. In producing the Archive Prints Collection, the studio has retained the characteristics of block printing and some of the original colourations. The Collection includes original designs by Morris & Co., with new designs inspired by his woven tapestries and embroideries, painted by the current design team.

After establishing ‘The Firm’s’ production of wallpapers, William Morris turned his attention to the production of hand block-printed fabrics. The earliest Morris prints were produced by the printing mill Bannister Hall, but later Morris moved to Merton Abbey and set up his own print works. In producing the Archive Prints Collection, the studio has retained the characteristics of block printing and some of the original colourations. The Collection includes original designs by Morris & Co., with new designs inspired by his woven tapestries and embroideries, painted by the current design team.

Embroideries were an integral part of the Morris & Co. offer, ever since William and Jane Morris taught themselves the art of embroidery to create hangings for their home, Red House, in 1860. The Woodland Embroideries continue this heritage, with designs taking inspiration from the archive as well as William De Morgan’s ceramic tiles, and an ottoman style fabric found in Wightwick Manor, Wolverhampton, one of the intact houses of England almost entirely furnished by Morris & Co.
Launched with the Archive III Wallpapers and Prints, Woodland Embroideries is an exquisitely designed collection of five designs including the glorious, multi-coloured ‘Artichoke’ on silk, to the simple, naive ‘Woodland Animal’ and ‘Woodland Tree’ on linen/cotton.

Embroideries were an integral part of the Morris & Co. offer, ever since William and Jane Morris taught themselves the art of embroidery to create hangings for their home, Red House, in 1860. The Woodland Embroideries continue this heritage, with designs taking inspiration from the archive as well as William De Morgan’s ceramic tiles, and an ottoman style fabric found in Wightwick Manor, Wolverhampton, one of the intact houses of England almost entirely furnished by Morris & Co.
Launched with the Archive III Wallpapers and Prints, Woodland Embroideries is an exquisitely designed collection of five designs including the glorious, multi-coloured ‘Artichoke’ on silk, to the simple, naive ‘Woodland Animal’ and ‘Woodland Tree’ on linen/cotton.

Celebrating the work of Morris and other eminent designers such as John Henry Dearle, Archive III Prints brings together faithful reproductions of classic fabrics including ‘Tulip’ and ‘Snakeshead’ with new, exciting designs – ‘Rosehip’, ‘Swans’ and ‘Primrose & Columbine’ – inspired by Morris’ ceramic tiles. ‘Grapevine’ recalls the theme often used in Morris’ border decorations for manuscripts, and has been produced from the same lino-printing method as ‘Rosehip’.
Adapting long established wallpaper patterns to fabrics for the first time breathes new life into some much loved favourites including ‘Pimpernel’ and ‘Morris Seaweed’, whilst ‘The Brook’, the collection’s show-stopping scenic design, created by Alison Gee, honours the magnificent tapestries produced by Morris & Co., and Dearle in particular, and comes in two cloth types.
Complemented by the Archive III Wallpapers and Woodland Embroideries, the ten designs in Archive III Prints combine innovative print techniques with the timeless appeal of Morris & Co., and all are suitable for upholstery and drapes.

Scion a fost creat pentru a intampina necesitatea evidenta de pe piata pentru articole de interior accesibile dar, totodata, elegante. Marca a fost conceputa pentru clientul cunoscator de moda si tendinte, produsele fiind inovatoare, la pret accesibil şi futuristice, insa de durata si cu personalitate.
Nu este de mirare ca Scion se mandreste cu radacinile sale britanice: materialele sale cu imprimeuri si tapetele sunt fabricate in Regatul Unit, in fabrici cu simtul angajamentului si initiativei fata de mediul inconjurator si durabilitate.